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SEMI-HIATUS AS OF 02.27.12



Michelle. 22. English Literature major. Student and professional slacker. Prone to passionate fits over fictional characters.
Here you will find a hodgepodge of things: Buffy the Vampire Slayer, Angel, Firefly, Dollhouse, Joss is boss, Downton Abbey, American Horror Story,The X Files, Battlestar Galactica, Glee, Damages, Deadwood, Sherlock, Veronica Mars, Arrested Development, Game of Thrones, Boardwalk Empire, Pillars of the Earth, Carnivale, Doctor Who, Queer As Folk, Luther, Sailor Moon, La Femme Nikita, Six Feet Under, Terminator: The Sarah Connor Chronicles, Harry Potter, Musicals.

Currently Watching: Jericho (S1), The Vampire Diaries (S3), Fringe (S3).


The Tate to my Violet
The Moriarty to my Sherlock
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Q. What did they [Fox] not want?

A. Sex. They want things to be sexy, but for God’s sake, they don’t want them to be sexual. And one of the things that Eliza [Dushku] and I first talked about was sex. This was going to be about human need and when I talk about perversion, perversion for me is something to be celebrated. As long as nobody’s getting hurt. Because obsession is the thing in us that makes us not everybody else.

Q. Was there a particularly deviant episode they didn’t like?

A. Absolutely. It would have been deviant-tastic. The episode worked on two tracks: one with this nice old man, and something has gone horribly wrong. And then the  denouement was that the old man wanted to hear his daughter say that she didn’t kill herself because he molested her. He wanted to be forgiven for something that he shouldn’t be forgiven for. And the other was this creepy reclusive billionaire with real dolls, who’s completely incapable of human relationships but was trying to take a tiny step toward them by getting rid of these dolls. Even though he was very twisted, what he was trying to do was beautiful. That episode would never be made. They were like, “No sex, just shoot at people.”

I set out with a very simple problem: There is no reason for these people to be in the same movie. So that’s what my movie has to be about. So much of the movie takes place from Steve Rogers’ perspective, since he’s the guy who just woke up and sees this weird ass world. Everyone else has been living in it.

What is wrong with women?

I mean wrong. Physically. Spiritually. Something unnatural, something destructive, something that needs to be corrected.

How did more than half the people in the world come out incorrectly? I have spent a good part of my life trying to do that math, and I’m no closer to a viable equation. And I have yet to find a culture that doesn’t buy into it. Women’s inferiority – in fact, their malevolence — is as ingrained in American popular culture as it is anywhere they’re sporting burkhas. I find it in movies, I hear it in the jokes of colleagues, I see it plastered on billboards, and not just the ones for horror movies. Women are weak. Women are manipulative. Women are somehow morally unfinished. (Objectification: another tangential rant avoided.) And the logical extension of this line of thinking is that women are, at the very least, expendable.

- Joss Whedon (x)